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Hallie Ford School of Graduate Studies
MA in Critical Theory + Creative Research
PNCA’S MASTER OF ARTS IN CRITICAL THEORY+CREATIVE RESEARCH (CT+CR) prepares students for opportunities at the intersection of art, theory, and research. Through rigorous training in critical theory, research design, and methods, cultural and institutional critique, and ethics, students develop skills and modes of thinking that crisscross the boundaries between visual and verbal, linear and nonlinear, digital and analog, theoretical and practical.
Located in a major center of creative risk-taking and social experimentation, the program combines the study of critical theory as a mode of sociopolitical critique concerning human meaning and agency with creative research as a largely process-driven form of inquiry, forcing both theory and research in new directions within the context of a 21st-century art school. The program is devoted to people and ideas, and to a rethinking of the present and future of cultural production; of arts-based research and research-based arts; of curatorial practice, documentary, and the archive; and of social and political reconfiguration in relation to major sites of contemporary contestation. These sites offer opportunities to investigate the forces that shape contemporary cultural production in the context of various constructs such as social media, biotechnology, gender, sustainability, politics, religion, and revolutionary, social, and economic practices, among others.
The structure of CT+CR is synergistic, lending it a rare coherence and unity of purpose and creating the conditions for fostering critical thinkers and practitioners who are able to address crucial questions in substantially new ways and who feel at home in diverse domains. Particular attention is paid to critical investigations of the role played by experiential knowledge; thus the program finds its natural home within an art school, where sense-based critique has long been a respected tradition and exacting practice.
THE FOUNDATION OF THE PROGRAM consists of a complex of seminars on interlocking themes led by PNCA faculty as well as by visiting artists, scholars, and other creative/intellectual leaders, who bring added diversity, richness, and intellectual depth to student learning. Past guests include: Claire Bishop, Bill Deresiewicz, Graham Harman, Atta Kim, Heike Kuehn, Sina Najafi,
Jacques Rancière, W.J.T. Mitchell, and Joe Sacco, among others.
New Possibilities at the Juncture of Art and Research
The program accepts applications from distinctive graduates in the arts, humanities, and sciences capable of thinking completely outside any box and interested in developing new combinations of art, theory, research, and critique. Ideal candidates include artists and designers who want to deepen their work conceptually and theoretically; writers interested in the relation of word and image; students of philosophy, theory, and criticism; journalists, documentarians, and filmmakers; sociologists, anthropologists, and scientists whose work intersects with the arts; and all those interested in combinations of aesthetic and socio-political critique and in new possibilities at the juncture of art and research.
CT+CR prepares students for careers in academia and emerging platforms for knowledge production and dissemination; curation of many different sorts; creative direction; research in museums, foundations, think tanks, and corporations; media and communications; reconfigurations of documentary, journalism, and nonfiction narrative; archival work; art criticism, cultural critique, and social analysis; socio-political aspects of community design and urban planning; public policy and political office, and new forms of public intellectual presence and intervention. The program offers competitive postgraduate teaching assistantships and internships.
Part of the CT+CR Collective, after performing the Collective’s manifesto at the Social Dream Lab event, de Young Museum, San Francisco.
Applying to the Program
Apply to the Program. See below for more information on the required Supplemental Application procedure.
Applications for Fall admittance to this program will be reviewed beginning February 1. Applications will continue to be accepted until the class is filled.
What We Test For
The supplemental portion of the application to the Master of Arts in Critical Theory and Creative Research at PNCA tests for creativity, critical thought, sense-based intelligence, ethical vision, and the ability to combine aesthetic and socio-political critique in innovative ways. Select two of the images below, static or moving, and submit a critique for each of them (links are provided below the image). One of the two must be written—250 words maximum—while the other can be written or take a visual form or a mixed visual-verbal form.
Oliver Brodwolf and Florian Dombois, Sonification of Tohoku Earthquake, Japan
Christian Boltanski, No Man’s Land
Guillermo Vargas Jiménez, Eres Lo Que Lees (You Are What You Read)
Agnes Denes, Wheatfield-A Confrontation
Keith Mayerson, Ode to Falling Man
David Attenborough, Lyre Bird
Video of Bruce Nauman’s MAPPING THE STUDIO II (Fat Chance John Cage)
Xu Zhen, The Starving of Sudan
Atta Kim, ON-AIR Project 110-7/ Long Exposure Series
Patricia Piccinini, The Young Family
Jake & Dinos Chapman, Insult to Injury
Photo by Emily Hyde ‘12
The MA in Critical Theory and Creative Research is co-chaired by Anne-Marie Oliver and Barry Sanders, two distinguished scholars and theorists who bring a combined 60+ years of iconoclastic research, writing, and teaching experience to the program.