Events + Exhibitions Calendar
Starting Thursday, April 3
The Searchers
The Searchers ask: What is the relationship between eBay and the consumer? Two eBay consumers? A person and their computer? The Searchers uses the construct of a first time eBay seller to explore the way that people connect, or don’t connect, through technology—websites, email, letters, newspaper, books, iPods… The Searchers started with a work of fiction written by curators Amoreen Armetta and Molly Dilworth. The Searchers proves that the relationship between the above entities exists, but that this relationship is difficult to quantify because the connections are constantly changing, and the entities are always in motion. The challenge posed to the artists asked to take part in The Searchers was to materialize these connections. The Searchers assumes that metaphor serves as proof.The Searchers features: Nuno Cera, Ann Craven, AC Dickson, Joan Grossman, Lucien Samaha, Jenny Vogel; with artist publications by Bill Brown, Gabriela Forcadell and Alejandro Cesarco, LTTR, Josephine Meckseper, Aleksandra Mir, Lone Twin, Pruess Press.The image is a video still from Nuno Cera’s “The Lost Soul.”
Amoreen Armetta and Molly Dilworth Lecture
Curators of The Searchers discuss the exhibit and their work.
Ticket info: Free and Open to the Public
Event times:
12:30 pm –
1:30 pm
Swigert Commons
Eutrophication
PNCA presents Eutrophication,, the first major solo show by Jeff Jahn. Eutrophication, a biological term referring to an overabundance of life and decay, reflects Jahn’s interest in entropic systems (natural environments, civilizations, etc). Concerned with space living upon space, his work represents a departure from the predictable rationalism of minimalism and modernist architectural geometries.
Ticket info: Free and Open to the Public.
Text Me
An Exhibition of Text Based Work
A group show curated by Justin Bland, Text Me asks an age old question: what are words worth? With work by: Hannah Burgoyne, Matthew Bowers, Pete Caldwell, Liam Drain, Derek Franklin, Crystal Hall, Matthew Huff, Claire Lamont, Evan Meister, Liz Meyer, Brenna Murphy, Mia Nolting, Gavin Potenza and Tabor Robak.
Ticket info: Free and open to the public.
Deanna Bredthauer
Compression of Memory
Investigating memory and apropriated imagery, Photo Major Deanna Bredthauer presents non-digitally composited images made using original negatives from her childhood vacations.
Ticket info: Free and open to the public.
Friday, April 4
Ann Craven Lecture
Noon-Time Lecture with painter Ann Craven
Ann Craven is a New York based painter. Her work is included in the collection of the Miami MOCA, the Whitney Museum of Art, The New Museum, as well as many other public and private collections.
Ticket info: Free & Open to the Public
Tuesday, April 8
Monica Drake Lecture
PNCA faculty member Monica Drake has an MFA from the University of Arizona. She is a contributor of reviews and articles to The Oregonian, The Stranger, and the Portland Mercury. Her fiction has appeared in the Beloit Fiction Review, The Threepenny Review, The Insomniac Reader and others. She has been the recipient of an Arizona Commission on the Arts Award, the Alligator Juniper Prize in Fiction, and a Millay Colony Fellowship, and was a Tennessee Williams scholar at Sewanee Writers Workshop. Her debut Novel, Clown Girl, is published by Hawthorne Books. Drake will talk to students and faculty about the writing process.
Ticket info: Free and open to the public.
Event times:
12:30 pm –
1:30 pm
Student Lounge
Wednesday, April 9
Melissa Dyne Lecture
Visual Artist Melissa Dyne discusses her experiments and inventions, which she uses to “tune” the architectural space they inhabit —a cinematic performance in the spirit of mise en scene. Through the use of simple mechanics, photography and early (often obsolete) technologies reconstructed through a contemporary artistic process, her work involves the creation of useful and useless inventions.
Ticket info: Free and Open to the Public
Event times:
12:30 pm –
1:30 pm
Swigert Commons
Thursday, April 10
Gay Outlaw Lecture
Gay Outlaw, a sculptor known for her playfully complex pieces, will be giving a free lunch time lecture to PNCA students, faculty, staff and the public on her work and the artistic process.
Ticket info: Free & Open to the Public
Saturday, April 12
6th Annual Spring Gala
Announcing 6th Annual Spring Gala – PNCA’s premier fundrasing event of the year. Proceeds raised will go towards benefiting student scholarships.
Starting Monday, April 14
STRANGELOVE
IN FLUX Installation
The new and improved IN FLUX gallery is proud to present :Kody Bosch’s installation on “Explorations into territories unknown” April 14th – April 26th
Starting Thursday, April 17
BFA Juried Show
This is a top example of the current year’s BFA student work. Students submit up to three pieces that are then juried by a panel of curator’s and artists from the outer community. Each piece is then selected for the exhibition, highlighting the best of the entries. The exhibition runs from April 17th – May 16th with a formal opening for the First Thursday on May 1st from 6-9pm.This is a great chance to see what the PNCA BFA students are up to!
Ticket info: free and open to the public
Event runs:
Thu, Apr 17 –
Fri, May 16
swigert Commons
Monday, April 21
Lunchtime Performance Series
Nathan Henry Henry-Silva
Nathan will hosting an hour long live radio show during lunch for the Lunchtime Performance Series.
Tuesday, April 22
Talking Points
Jeff Jahn Lecture
Jeff Jahn will discuss his installation Eutrophication. He will cover details and decisions that lead to the show, including how meeting Robert Irwin lead him to use an essentially empty space in a not so empty way. Other influences such as Stuart Copeland, Miles Davis and Hendrix will also come up.
Ticket info: free and open to the public
Wednesday, April 23
Adam McEwen Lecture
Lunchtime Chat
Adam McEwen, an English artist now based in NYC, manipulates time, space, images and language to alternately convincing and arcane effects. His influences would seem to be Andy Warhol, Richard Prince and Michael Asher; his primary mode of operation is the thwarting of expectations known in art circles as intervention.Most of the more interesting artists these days work in several mediums, tend to approach ideas at a slant and are difficult to talk about. Adam McEwen qualifies on all three counts.McEwen is known for his elaborate gallery installations. In one such endeavor, he plotted the bombing patterns of US planes over Germany during WWII with wads of chewing gum. He has also been known to apply fabric over the outside windows of galleries, effectively changing even how light is able to access his work.
Ticket info: Free & Open to the Public
Friday, April 25
TBA 08 Discussion: Mark Russell
Mark Russell, Guest Artistic Director for PICA, will talk to students and faculty about events planned for TBA 08 to begin a conversation about the festival and the artists.
Ticket info: PNCA community only
Event times:
12:30 pm –
1:30 pm
Swigert Commons
Tuesday, April 29
TBA 08 Discussion: Kristan Kennedy and Erin Boberg Doughton
Kristan Kennedy, Visual Art Program Director of PICA and Erin Boberg Dougton, Performing Arts Program Director of PICA, will discuss events planned for TBA 08.
Ticket info: PNCA community only
Event times:
12:30 pm –
1:30 pm
Swigert Commons
Lecture Postponed
Revolt and Anti-Authorship, 1975. Daniel Spoerri at the San Francisco Art Institute
In September of 1975, Romanian-born Swiss artist Daniel Spoerri arrived at the San Francisco Art Institute (SFAI) with his lover Claude Torre for an intensive artist residency. SFAI’s new president Arnold Herstand and San Francisco art dealer Eliane Ganz invited Spoerri and organized his visit. Unknown to Spoerri, he was walking into a firestorm. SFAI was in the midst of a profound academic and administrative crisis over Herstand’s reorganization of the school. The students, supported by various SFAI faculty and community members initiated a takeover, withholding their tuition and publishing official documents and meeting notes in the student newspaper—the Eye. A series of traumatic ruptures ensued between students, faculty, and San Francisco’s intellectual and social elite, who, many felt, were colluding with Herstand to advance their class objectives. Spoerri, tangled up in an atmosphere of increasing hostility and subterfuge, acted out. On September 28, 1975, during a performance-based dinner at the Eliane Ganz Gallery, Spoerri assaulted one of San Francisco’s most celebrated art patrons and destroyed his installation. Several months later, the SFAI Board of Directors called for Herstand’s resignation and reorganized the school in accord with the students’ vision. This talk examines the complex of issues—anti-authorship, pedagogy, and subjectivity, to name a few—that are at the heart of this traumatic time in San Francisco history. Part of a larger body of research on Daniel Spoerri conducted as part of a Getty Curatorial Fellowship this talk elucidates the acute crisis in the institutional and social fabric of the San Francisco Art Institute in 1975, and by extension, their effects on one of the most important artists of the 20th century, and institutional practice in American art schools.
Ticket info: Free & Open to the Public
Event times:
6:30 pm –
8:30 pm
Lecture Postponed
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